DMA'S RETURN WITH 'MY BABY'S PLACE'

Watch the music video below!

Image: Roman Jody.

There’s something quietly full-circle about DMA’S new single, My Baby’s Place. Not in a way that leans into nostalgia for its own sake, but in how it reconnects with the emotional immediacy that first defined the band, now reframed through years of growth and perspective. 

Written after a period of stepping back following their fourth album How Many Dreams?, the track carries the weight of that pause. You can hear it in the way the song unfolds - unhurried, reflective, and deeply internal. This isn’t DMA’S trying to recapture a past version of themselves; it’s them rediscovering what made that version resonate in the first place, and letting it evolve naturally.

At the heart of the song is a push-and-pull between two emotional states. The verses feel searching, almost restless, while the chorus lands with a sense of clarity. That tension gives My Baby’s Place its shape, mirroring the feeling of looking back at who you were while standing firmly in who you’ve become. 

It’s a dynamic brought to life by Tommy O’Dell’s inimitable vocals, and the shimmering production that unfurls beneath. There’s a rawness to O’Dell’s delivery, that can shift from fragile to euphoric in a single beat. Here, he leans fully into that duality. He inhabits both sides of it, giving form to that internal dialogue in a way that feels instinctive rather than performed. 

That sense of emotional excavation runs deep in the tracks origins. Lead guitarist Matt Mason recalls: “I was going through these demos that I'd recorded, and it was bringing back all these crazy feelings and memories from recording them. I had to do a bit of that to really find this song, which was quite an emotional experience; it brought out things, and I was remembering things from the nights we recorded. There are a lot of emotions that are packed into this song.”

You can feel that history embedded in the music. There is a looseness to the songwriting that allows those emotions to breathe. The band leans into ambiguity, allowing listeners to project their own histories onto the track, deepening its resonance. It invites you in, rather than telling you exactly what to feel. 

Co-produced by the trio alongside Lach Bostock in their Glebe studio, their latest offering also marks a subtle shift in how DMA’S operate. There’s a confidence in the way it’s put together, an understanding of when to hold back and when to let the song surge. The result is something that feels both intimate and expansive, grounded but still reaching outward. 

A decade on from Hill’s End, that balance feels significant. My Baby’s Place doesn’t try to recreate the past, but it does reconnect with its spirit - channeling the same sense of longing and release, now filtered through lived experiences. It’s that combination that makes the song land the way it does:: familiar, but deeper; restrained, but quietly anthemic. 

My Baby’s Place is out now.

https://www.youtube.com/watch?v=IAw4zXa48vI